For
the longest period it seemed the west end of downtown SLC held the
art scene. But recent years have had major galleries looking to the
east.
--- As an expansion of their Park City roots, the Meyer
Gallery shopped around and found itself a secondary pad right in the
heart of downtown. Making a new home for themselves at the new Metro
Building on 2nd East between both the library and the
thriving Broadway section, putting a new gallery on a street section
that for two years served as an annoying construction zone. I went
and browsed around for some pictures, and chatted with curator Adam
Hansen about the new place and plans for the future, as well as some
other local art topics.
Adam
Hansen
http://www.meyergallery.com/
Gavin:
Hey Adam, first off, tell us a little bit about yourself.
Adam:
Well, I'm a Utah native. I graduated from the U in Painting and Art
History in '05. Art is really the greatest passion of my life. Other
than that, I enjoy playing hockey and the typical Utah things,
hiking, snowboarding, etc.
Gavin: For those who don't
know about it, tell us a little about the Meyer Gallery in Park
City.
Adam: The Park City Meyer Gallery opened in 1965,
making it the second oldest gallery in the state. We have a great
stable of established as well as emerging painters and
sculptors--many of whom have been with us for a decade or
more.
Gavin: How did you get involved with the gallery
and what have you done with them over the years?
Adam:
I got involved with Meyer simply by responding to an ad in Craig's
List back in January. I have a heavy art background but I also have a
lot of experience managing in other industries, so I felt I had a
skill-set uniquely suited for this position. I interviewed on a
Wednesday and started work that Saturday. It all happened rather
quickly and it's been great. Meyer Gallery is a great institution and
I'm really excited to be a part of it.
Gavin: Where did
the decision come from to open a gallery up in SLC?
Adam:
Susan Meyer, the owner, has had her eyes on the Salt Lake market for
some time. She spent the last number of years paying close attention
to Salt Lake shows and price points and finally decided there was a
good art-buying client base in the valley. Perhaps the timing could
have been better, but there was no way to foresee the economic
problems we are experiencing now.
Gavin: What drew you
to the location on 350 South 2nd East?
Adam: Well the
building itself--the brand new Metro Condominiums building--was a big
part of it. It's a beautiful building, located right in the heart of
downtown. And there is just so much happening around that area. You
have the library and City and County Building half a block to the
south, the Broadway is less than a block away, and there are a number
of boutique shops, coffee shops, and galleries along 3rd South. It's
really an ideal location.
Gavin: Was it easy going
setting the place up or were there some difficulties?
Adam:
Fortunately the contractor who built the Metro building itself was
available to finish out the gallery, so construction went very
smoothly. Other than that, the city and the neighborhood were very
excited and cooperative about getting the gallery launched.
Gavin:
How did you choose who to display upon first opening?
Adam:
Well we're lucky in the sense that we already have a really strong
stable of artists to draw from. The artists we display at the Salt
Lake location are mostly the same as Park City. We actually opened
back in December to host a show for an emerging artist named Fidalis
Buehler whose work isn't in Park City.
Gavin: For those
interested, what's the process like for getting displayed in the
gallery?
Adam: If you're interested in representation,
the first step would be to submit a portfolio through email. The
email should contain a brief biography, resume, and four or five good
images that are representative of your current body of work. For
instance, don't submit landscape paintings if you're now casting mule
deer in bronze. If we're interested in the work we'll set up a
meeting time and discuss it further. We are always taking portfolios,
so don't hesitate to submit.
Gavin: A little local,
what are your thoughts on our art scene, both good and bad?
Adam:
I think our art scene--in terms of visual art--has improved a lot in
recent years. We are fortunate in this city in the sense that we have
a great symphony orchestra, a number of theater companies, opera,
ballet, and always a good selection of touring Broadway shows. There
are a lot of arts options, and I think the visual arts are catching
up with the others. We have an amazing and diverse pool of talented
painters in Utah--as you know if you've ever attended the Springville
Museum's Spring Salon. And there are also a number of Artspace-like
artist communities popping up--Poor Yorick Studios, the Guthrie
studios, Rockwood Studios, Saltgrass Printmakers, to name a few--and
this is just within the last few years. There is really a lot
happening.
Gavin: Anything you believe could be done to
make it bigger or better?
Adam: I think increased
participation at all levels is really the only way to make it better,
and I think that's already happening. There is a real renaissance
happening downtown and developments like our building are a big part
of that. Salt Lake is becoming less of a commuter city--people are
looking to live and play downtown rather than just commute here to
work. We've only been open for two gallery strolls and have seen a
good turnout both times, so we are optimistic.
Gavin:
What you think of Gallery Stroll up in Park City and how it differs
to Stroll in SLC?
Adam: The biggest difference is the
concentration of galleries in Park City. Here, if you want to catch
all or most of the galleries, it's a fairly substantial walk and a
little driving. In Park City, all the main galleries are located on
Main Street, and it's a pretty short walk to get to all of them.
Another difference is that there is just so much more foot traffic in
Park City, especially during the winter.
Gavin: What's
your take on the Utah Arts Festival, and will you be doing anything
with it since you're next door to it this year?
Adam:
The Arts Festival is a great event, and we're glad to be located so
close to it. We are thinking of ways to take advantage of it. We'll
probably extend our hours, and we have a couple other ideas, but
haven't settled on anything yet.
Gavin: What can we
expect from you and the Gallery the rest of the year?
Adam:
Well I'm really excited about the show schedule we have lined up. We
will be showcasing some of Utah's best painters, including Seth
Winegar, Glen Hawkins, George Allen, Bradford Overton, Zachary
Proctor, and Jeff Ashcroft--well established artists and rising
talents alike. Whether you prefer evocative landscapes, quiet
still-lifes, or contemporary figurative painting, there really is
something for everybody. Our openings will correspond with gallery
stroll--the third Friday of the month--and we will have an excellent
show every month.
Gavin: Aside from the obvious, is there
anything you'd like to plug or promote.
Adam: Our April
show features three of the nation's best encaustic artists, Chris
Reilly, Michelle Haglund, and Will Pope. Encaustic painting is done
with molten beeswax, damar resin and pigment. Though it is an ancient
medium--encaustic predates oil by hundreds of years--it has enjoyed a
resurgence in popularity over the last 15 years. Layers of wax are
built up, fused with a heat gun, then scraped, sculpted, embossed and
textured in endless ways. The process produces paintings of
astonishing depth and luminosity--this is a rare show that you don't
want to miss! The opening will be held April 17th from 6-9PM.