One tends to forget just how many great rock & roll songs John
Fogerty is responsible for; even a fan can find some forgotten gems when
the former Creedence Clearwater Revival leader takes the stage and
lights into his catalog of bluesy, Southern-tinged swamp rock.---
At Fogerty’s near-capacity show at Deer Valley Thursday night, those
gems kept popping up among the tried-and-true old favorites that filled
his set. For every “Hey
Tonight” and “Green River” -– the two songs that
opened the show -– there were tunes I hadn’t thought of in years, like
“Lodi” or “Long As I Can See the Light.”
Right from the start just after 8 p.m. on a stunningly perfect summer
night on the hillside, Fogerty and his top-notch band delivered stellar
takes on hit after hit. The man just turned 67 at the end of May, but
Fogerty’s voice, and especially his guitar chops, have not seemed to age
at all. He always had that distinct Southern drawl even when he was
young, and it’s still there in his older years; Fogerty punctuated many a
song with a drawn-out “Thank Ewwwww!”
Fogerty didn’t spend a lot of time chatting up the crowd between
songs. Even when he claimed he was going to tell a story, it was usually
something quick. Early on, introducing “Who’ll Stop the Rain?,” he
pronounced, “Many years ago, I was at a place called Woodstock. It was
kind of like this. Except you all are way better looking, and I’m SURE
you all have a lot more money.”
Well, yeah. But if his stage patter left something to be desired, his
music didn’t. With powerhouse drummer Kenny Aronoff leading an
excellent batch of backing musicians, Fogerty ripped through songs like
“Looking Out My Back Door,” “Born on a Bayou” and “Rambunctious Boy.”
The opening notes of “The Midnight Special” caused the crowd to roar,
and “Have You Ever Seen the Rain?” turned into a massive singalong.
Playing upwards of two hours and more than 20 songs, Fogerty’s energy
never flagged; he and his band worked out some monster instrumental
interludes at various points during the show that would have floored
much younger bands, but these guys would just chug right into the next
song.
A cover of Roy Orbison’s “Pretty Woman” was a pleasant surprise,
“Heard It Through the Grapevine” was sublime, “The Night Time is the
Right Time” gave the band a chance to work out a traditional blues
sound and “Down on the Corner” was a joyful romp.
That pretty much goes for the whole night. It’s hard to beat an
American master, leading an ace band, delivering a greatest-hits set,
especially when the hits still sound so relevant. A lot of classic-rock
artists have had their songs worn out by too many spins on the radio and
too many tours, but Fogerty’s songs don’t seem stale in the least.
Just honestly, truly, classic.