Flogging Molly | Music | Salt Lake City | Salt Lake City Weekly
Support the Free Press.
Facts matter. Truth matters. Journalism matters.
Salt Lake City Weekly has been Utah's source of independent news and in-depth journalism since 1984.
Donate today to ensure the legacy continues.


Flogging Molly

After 15 years, haven't lost any swagger


Flogging Molly
  • Flogging Molly

“When you boil it down to its essence, Flogging Molly is all about playing music that is very real and organic, and playing it with all the piss and vinegar and passion you can in each note,” says guitarist Dennis Casey.

While the seven-piece Irish-punk powerhouse might have grown out of their early days of singing about pirates, the Sacred Heart and the devil’s dance floor, their defiant, hopeful core message has never been more relevant. And even after more than 15 years of making music, they haven’t lost any of their swagger.

“It’s definitely a very rewarding milestone,” Casey says. “It’s not easy to keep a band together, especially with seven people, the same lineup for 15 years. It’s rare. It’s a testament to how much we love each other and the music. I think we’ve grown closer as a unit and closer as friends—I call it my second family.”

The Flogging Molly family came together in 1997, in a Los Angeles bar called Molly Malone’s. Dublin-born vocalist Dave King formed the band with violinist Bridget Regan, and Casey, Matt Hensley (accordion), Nathen Maxwell (bass), Bob Schmidt (mandolin, banjo) and George Schwindt (drums) rounded out the lineup. The traditional music of King’s childhood found a rebellious voice in tribal, fiery punk rock, with subject matter that includes the Roman Catholic Church and King growing up in Ireland. But far from appealing only to a niche demographic of listeners, on a larger scale, Flogging Molly’s music is about love, loss and hope for a better day, a battle cry for downtrodden people everywhere.

More recently (and more locally), Flogging Molly has become a champion of the American working class, particularly the struggling city of Detroit, as heard on their latest studio album, Speed of Darkness (2011). The album was the debut release on the band’s own record label, Borstal Beat, and was written in the basement of the Detroit home that King and Detroit native Regan bought together after marrying while on tour in support of Float (2008). Songs such as the bluesy “The Power’s Out” and “Don’t Shut ’Em Down” tell the story of “the devastation: foreclosures, people being thrown out of their homes, factories closing, people living on the streets … and so on,” Casey says.

Flogging Molly’s working-class roots wouldn’t let them turn a blind eye to the problems they were seeing. “We all basically came from working-class families,” Casey says. “And so we have a close affinity to that group of people and especially the tough times that they’ve been going through for the last five years or so now. … [Speed of Darkness] turned into a record we had to write.”

At the Utah stop of Flogging Molly’s ninth-annual Green 17 tour, fans can get a head start on their St. Patrick’s Day festivities. The band’s Guinness-fueled frenzy of a live show is the best way to experience their boisterous music, and near-constant touring hasn’t dulled their energy in the slightest. “We love what we do … so to put out that much energy is a joy, it’s a rush,” Casey says. “Even after 15 years, we can still bring it and not lose anything. It’s all still there, probably even stronger.” 

w/ Mariachi el Bronx, Donots
Great Saltair
12408 W. Saltair Drive, Magna
Friday, March 15, 8 p.m.

Kolbie Stonehocker Twitter: @VonStonehocker