Hank Louis of the U of U's Design Build Bluff | 5 Spot | Salt Lake City | Salt Lake City Weekly
We need your help.

Newspapers and media companies nationwide are closing or suffering mass layoffs since the coronavirus impacted all of us starting in March. City Weekly's entire existence is directly tied to people getting together in groups--in clubs, restaurants, and at concerts and events--which are the industries most affected by new coronavirus regulations.

Our industry is not healthy. Yet, City Weekly has continued publishing thanks to the generosity of readers like you. Utah needs independent journalism more than ever, and we're asking for your continued support of our editorial voice. We are fighting for you and all the people and businesses hardest hit by this pandemic.

You can help by making a one-time or recurring donation on PressBackers.com, which directs you to our Galena Fund 501(c)(3) non-profit, a resource dedicated to help fund local journalism. It is never too late. It is never too little. Thank you. DONATE

News » 5 Spot

Hank Louis of the U of U's Design Build Bluff

by

comment
art10221widea.jpg
Hank Louis is founder and instructor of the University of Utah’s Design Build Bluff program, which builds eco-housing for low-income Navajo families.

What’s the program’s foundation?
It was inspired by Samual Mockbee’s The Rural Studio at Auburn University in the mid-’90s. He was taking architecture students to impoverished areas to do build/design. I went to see him, brought him here to speak, and this generated interest at the U.

Our mission is to use an architect’s expertise to provide someone a low-cost shelter. We started small by building bandstands in Park City, then a tree house at Bend-in-the-River. Our first house was the Kunga House, for a Tibetan family in Salt Lake City. Later, we began building Bluff.

Why build in Bluff?
For most, it’s shocking how the Navajo are living, without septic systems or water. We introduce the students to a Third World country—as for culture and living conditions—right on their back porch. The biggest way students are transformed is gaining compassion for these people.

What are the clients’ needs?
Some have lingering Navajo traditional aspects in their lives, so they request sensitivity toward that. Sometimes they’re hilarious things, because we think them commonplace: Dora Benali said, above all, she needed shelves in her bathroom.

How is each project unique?
It’s a product of the students’ ideas. Beyond distinct design for each family—form, mass, size—students experiment with alternative building materials, looking for something never used before.

For form, students take the idea of the old traditional hogan, with no windows and an open ceiling, and reconfigure it to meet the lifestyle of modern Navajo people.

Having no utilities forces us to use sustainable practices like passive solar and vernacular design. We use earth and recycled materials as much as possible. Most houses are built for less than $30,000.

What’s slated for 2010?
A house for a woman named Janet, the runner-up last year. She is a sculptor and a potter, so we are making her a studio, which will be interesting. Janet has six kids. We rarely work with an [nuclear] family unit. It’s almost always a single mother.

What’s wrong with typical architecture?
We’re slowly headed in the right direction. The typical, slam-it-up balloon frame is inefficient with lots of imbedded energy. We haven’t been paying any attention to the ideas that we lived by for centuries, creating comfortable space using nature, the sun and the breeze. We threw away our knowledge when electricity became cheap.

Tags