- The Moaners
The Moaners
Americana singer/songwriter David Dondero might be the headliner, but opening act The Moaners are not to be missed, and might just end up stealing this show. The North Carolina duo of Melissa Swingle and Laura King just released their third album, Nocturnal, which further blurs the lines between the garage-rock, punk, rockabilly and folk-blues that serve as The Moaners base. Swingle’s knack for crafting tunes that illuminate her little corner of the South is getting stronger by the year, and the songs on Nocturnal are as likely to make one wistful for the olden days below the Mason-Dixon Line as they are to start a mosh pit. And that’s not a bad thing; as The Moaners and their music mature, their ideas come through as clearly with a whisper as easily as with a scream. Tony Lake opens the show. Kilby Court, 741 S. 330 West, 7 p.m., $8
Chaz Burdick is a one-man melting pot, a South Carolina resident with a decidedly urban outlook and a voracious appetite for toying with different genres. Under the guise of Toro Y Moi, which he started as a bedroom-production project as a young teenager, Burdick delves into everything from freak-folk to R&B to house music on this year’s Causers of This album, and the 23-year-old’s already spun off a dance-oriented side-project, Les Sins, to serve as an alter ego of his sensitive side. The first Les Sins release is hitting the street just days before Burdick visits Salt Lake City, so I’d expect a dose of his club anthems along with the tracks from Causers of This that made critics rave. Nosaj Thing and Jogger are also on the bill. The Urban Lounge, 241 S. 500 East, 9 p.m., $10
Max Pain & The Groovies,
Spell Talk
Saturday Nov. 20
The Lower Lights
With no less than 40 folks listed as members of The Lower Lights, you can imagine the Herculean task it must have been to organize the recording sessions over five days in fall 2009 that resulted in the A Hymn Revival album. Yes, these are religious songs, but in the capable of hands of the performers involved—including familiar faces like Paul Jacobsen, Sarah Sample, Ryan Tanner and Cherie Call, to just scratch the surface—they become something more, a folk-roots exploration of songs revered primarily in Utah among the LDS, and some hymns with broader appeal (“Swing Low, Sweet Chariot”). The beauty of the performances quickly puts the secular listener at ease, and true believers will welcome the fresh interpretations of songs they’ve heard on Sundays their whole lives. The Post Theater, 245 S. Fort Douglas Blvd., 8 p.m., $10
Margot & the Nuclear So and Sos
Margot & the Nuclear So and Sos’ third album, Buzzard, is a winning leap forward from past efforts like Animal! and The Dust of Retreat. Perhaps all it took was singer/guitarist Richard Edwards shaking himself loose from Indianapolis and heading to the “big city” of Chicago to inspire him to try some new sounds. He wrote for six months on his own before his fellow So and Sos joined him in the Windy City, along with members of Califone and other Chicago musicians, in creating an expansive album that moves beyond the pretty orchestral-pop of older works into bigger, noisier territory. All moves away from home should sound so good. Jookabox and Burnt Ones open the show. The Urban Lounge, 241 S. 500 East, 9 p.m., $10 advance/$12 day of show
Wednesday Nov. 24
Royal Bliss
Coming Up
Blonde Redhead, Olaf Arnalds (The Depot, Nov. 26), Freelance Whales, Miniature Tigers (Kilby Court, Nov. 27), No Age, Lucky Dragons (Kilby Court, Nov. 30), Oak Ridge Boys (Abravanel Hall, Nov. 30), The Secret Handshake, A Cursive Memory (The Complex, Dec. 3), The Black Angels (The Urban Lounge, Dec. 5), John Pizzarelli (Sheraton City Center, Dec. 6), Tame Impala (The Urban Lounge, Dec. 6), Tokyo Police Club (Kilby Court, Dec. 6)
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Dan
Nailen
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