In
the fallout of what was once Sugarhouse, many of the businesses that
once called the area home are finding new locations to re-establish
and call home. For once of those businesses, the transition was
easier and better that they could have hoped for.
--- The
glasswork venue Artopia reopened its doors on Exchange Place in the
heart of downtown, continuing the locally owned tradition that kept
it alive on the east side. Showcasing glass art as well as graffiti
and pop culture art all over the building, while housing a small
music venue downstairs for several genres to play. I got a chance to
chat with owner and glass artist Lee Cano about his store, his work,
moving from Sugarhouse and some other stuff that came to mind. Oh,
and I took some pictures from this past Saturday's show
that featured the band Patter
Stats.
Lee
Cano
http://www.myspace.com/artopiagifts
Gavin:
Hey Lee. First off, tell us a little about yourself.
Lee:
I am a glass artist and musician, I'm interested in art and community
and creating art individually and in a community context. I lived in
Portland Oregon for thirteen years before moving back to SLC for my
family, I learned a lot during those years while producing an
underground music TV program, playing in bands and with DJ's and
generally immersed in DIY culture.
Gavin: For those who
don't know, what is Artopia?
Lee: Artopia is a gift
shop and gallery. We started with handmade glass and eventually
expanded to include posters, clothing, incense, locally crafted and
created items and art
Gavin: How did the idea for the
shop first come about and what was it like getting it started
up?
Lee: When I came back to SLC four years ago I
needed to earn a living and I wanted to continue creating with glass,
so I started a shop in Sugarhouse. Getting started was crazy, time
consuming and all encompassing, it was no cake walk.
Gavin:
When it comes to the glasswork, do you have a specific crafter on
hand, or do you have several people who provide material?
Lee:
We work with several local artists and I create a good deal of our
inventory myself.
Gavin: Do you ever feel like you're
in competition with places like Knuckleheads, or do you feel more
like you're doing your own thing?
Lee: This is
definitely not about competition with anyone other than myself.
Competition is a poor catalyst for creativity. I love to make glass,
it's that simple. Also I know Mike from Knuckleheads and he's a cool
cat.
Gavin: You've also made your location into a
venue. What brought about that decision?
Lee: We have a
beautiful, historic location on Exchange Place in downtown SLC and I
want to make it available to musicians, artists, and the whole
community for a gathering place. We are not a formal venue, but I'm
glad to host so much quality art and music.
Gavin: When
it comes to art, you focus more on graffiti and street art. Do you
feel like it gets an unfair look in Salt Lake City?
Lee:
I think it gets an incomplete look in SLC, I hope to help change that
by creating an opportunity for people to have more intimate contact
with art and the artists and culture that created it. Art has a
liberating effect on people, it makes a community healthy. Artists
are producers, contrast that with consumerism, there is no
comparison. I noticed there were graff artists featured at this years
Arts Fest in SLC, good news.
Gavin: What's your take on
the graffiti from things like 337
Project
and the commissioned art along the Trax lines?
Lee:
The 337 Project is extremely important and valuable, props to all who
were involved with creating such a masterwork. 337 should be part of
a larger process of creating real art that is accessible to people,
we should keep creating 337's. As for the art along the Trax lines,
its a real hit and miss proposition aesthetically but hey at least
it's art.
Gavin: For people looking to check it out,
what can they expect to find in the Underground Gallery?
Lee:
We have hosted Punk, Reggae, Dancehall, Hip Hop, Folk, Dubstep, Rock,
Blues... so the experience changes according to the event. You will
find a place for art and music and community.
Gavin: I
understand Artopia was one of the many who suffered from the death of
Sugarhouse. What happened?
Lee: Retail gentrification
demolished dozens of local enterprises and the experience of
community that went with them leaving a hole in the ground and a hole
in the community. The businesses that were affected are locally
created and symbiotic with the neighborhood and community, now we are
working through the challenges of dislocation. My response is to
foster creativity in the face of destruction.
Gavin: Do
you regret leaving Sugarhouse, or do you feel it's better to move on
with all that's happening in that area now?
Lee: I miss
Sugarhouse but my spot in Sugarhouse has been demolished, I am here
now and I want to benefit my new neighborhood and help create a good
experience downtown on Exchange Place.
Gavin: If the
opportunity ever came, would you go back or do you feel it wouldn't
be right now?
Lee: Right now I'm immersed in
re-starting this business and expanding it, Sugarhouse is a dream of
what was at this point. I am dreaming of what is possible right here,
right now.
Gavin: How did the decision come about to
move downtown? Was it by choice or was it simply the quickest
available space?
Lee: I was enchanted by this location
and the possibilities for Exchange Place and this neighborhood. Our
new location is almost 100 years old and is listed on the national
register of historic landmarks, it cannot be demolished and it has
great character. People come here and say that this place reminds
them of Paris, Amsterdam, San Francisco, Portland. Cool places. They
love the vibe here... so did I.
Gavin: What's your
feeling on the new location, both good and bad?
Lee:
The new location has been a challenge since Exchange Place (350
South, just West of State Street) is kind of an obscure location, but
our customers from Sugarhouse are slowly finding us again and we have
new stuff happening with this awesome gallery space. On balance I
think we made a good move.
Gavin: A little on the
scenes in Utah, what's your take on the local music scene, both good
and bad?
Lee: The local music scene in Utah is starting
to show some signs of maturing into something with a strong current
of continuity and diversity. Both good things for fostering a strong
music culture that can endure. In the past Utah music culture often
seemed sporadic at best but I think that is changing now.
Gavin:
Anything you think could be done to make it better?
Lee:
Yeah, support local music in your everyday life. Support the artists
that create for you, go to shows or play them, support venues that
facilitate local music, advocate for more music and art and a
healthier society. Help proliferate music and culture in our
community. We are making life better in SLC with music, remember
that.
Gavin: How about the art scene, both good and
bad?
Lee: I am glad to see formal arts organizations
beginning to facilitate non-conventional artists here in Utah, thats
important. I hope to be a part of a conscious expansion of the
parameters of what is appreciated as valuable and artistic. More art
is good, less art is bad.
Gavin: And anything to make
that scene bigger or better?
Lee: Awaken from sleep, we
are creators not consumers, producers not products. It's what you
make it. You are culture.
Gavin: What can we expect
from Artopia the rest of the year?
Lee: We will be
working to improve our ability to serve the community and make
Artopia a place where SLC is comfortable. Home is where the art
is.
Gavin: Anything you'd like to plug?
Lee:
Yeah. Exchange Place is cool, come check out the neighborhood and the
shop, maybe you can hold an event here, or come check out some local
music. Oh yeah, check out our locally created glass too.