This
past month unfortunately saw the departure of one of the state's
finest and most respected artists. Cein Watson has been an
intricate and influential part of our art scene, not to mention a
favorite fixture of the Captain Captain Studios for years now. His
detailed and often eye-catching designs can be found all over the
city, whether they be a simple illustration off in the corner of the
frame, or a fully drawn out kidney in every detail as if ripped from
a medical journal. His works and style had become a unique
perspective that few came close to capturing and many couldn't get
enough of.
--- As of last week, Watson relocated himself and all
of his works to the state of Vermont, for reasons both artistic and
personal. Before he went east I got a chance to do a departing
interview with the man about his career and works over the years,
along with pictures of his works for you to check out from his
farewell show at Captain Captain two weeks ago.
Cein
Watson
http://www.thisriddle.com
Gavin:
Hey Cein! First off, tell us a little bit about yourself.
Cein:
I'm half ugly and should never be taken seriously.
Gavin:
What first got you interested in art and what were some of your
early inspirations?
Cein:
Art's as hard as you make it. I never got bored with it. And if I
did it'd be my own fault.
Gavin:
Originally you got a scholarship for the Maine College of Art. What
was the school like for you while you were there?
Cein:
If I were charitable I'd say it was character building. I worked
hard and drank harder.
Gavin:
Eventually you transferred to the University of Utah and earned
degrees in Art and Art Studies. What made you choose the U and how
was that program for you?
Cein:
I chose the U because one year of private art school costs the same
as seven years at the U. The U painting program wouldn't have me. I
didn't fit into their 17th century figure structure
program. They told me I should be a lawyer. I gravitated to the
printmaking program. The printmaking program is craft oriented with
a more liberal conceptual platform. I was also drawn to the Art
History department. Art History can give an artist context. Currently
the department is a powerhouse of accomplished young professors that
anyone could learn a great deal from.
Gavin:
Aside from the art degrees you have one in Philosophy as well. What
made you pursue that area of study?
Cein:
Many of the pieces are thought experiments as to what a philosophic
text might look like mapped out, illustrated, or expressed. I saw art
as another way to reify ideas. I figured pursuing a degree in
Philosophy would inform the work and help me sound like less of an
ass when I talked about it. Still working on the latter.
Gavin:
How did the inspiration come about for your particular
illustrations, specifically the bodily organs?
Cein:
The invented organs where a confessional project that I'd worked on
years ago. I started mining the idea again as a tongue and check
miss reading of Bodies without Organs... organs without
bodies.
Gavin:
What's the process like for you when creating a new piece, from idea
to the final look?
Cein:
I lay out a syntax for the process based on a loose
reading of a text. From there it's a free for all.
Gavin:
Do you usually have a set idea of what it will look like or is your
work more impulsive?
Cein:
I have an idea of what I want it to look like. I'm wrong a
lot.
Gavin:
What was it like for you when you started taking your works around
for exhibitions?
Cein:
It's been positive overall. Rejection always hurts, especially for
an arrogant prick.
Gavin:
How did you eventually end up moving into Captain Captain Studios,
and how is that environment for you as an artist?
Cein:
Almost all the Captain Captain artists were in the original Poor
Yorick studios on 7th South. When Poor Yorick moved we moved into
Captain Captain. It has been the most positive environment I've ever
worked in. I've never been surrounded by such hard working talented
people. When the bar's raised so high you've got to work hard to keep
up.
Gavin:
Further on a lot of your works began to encompass greater detail and
fine additions to each piece. What motivated you to do so much detail
on everything?
Cein:
I figured the detail helped show intention.
Gavin:
You also branched into screenprinting with you works and taken them
into a more colorful format. How did the idea come about to mix that
in with your style?
Cein:
I set out a new set of rules that prescribed to new ideas. A
different prescription for a different problem.
Gavin:
As of when this interview will go up, you will have moved to
Vermont. What brought on that decision, and why Vermont?
Cein:
A Thoreau wet dream... less overhead and more self reliance.
Gavin:
When you move there, what exactly will you be doing and working
on?
Cein:
I'll be building a tree house and working on more sculptural
projects.
Gavin:
Reflecting back on it, how do you view your time here n Utah, not
just as a member of the art community but as a whole?
Cein:
The rest of the world doesn't know how great Utah can be.
Gavin:
Going local, what are your thoughts on our art scene, both good and
bad?
Cein:
Good: Utah artists are exceptional craftsmen. I've seen work made in
SLC that's as good as anywhere. The artists are hard working and the
community is supportive. Bad: Most of the artists that make a living
in Utah don't sell work in Utah. I won't say that Utahans are cheap,
but maybe they're so DIY that art isn't even on their radar.
Gavin:
Is there anything you believe could be done to make it more
prominent?
Cein:
SLC is an island. Maybe even its own country. The art community
needs more connections to the outside world.
Gavin:
What's your opinion on the galleries we have in town and how they
cater to both artists and the community?
Cein:
Everyone works hard to make it work. That's some PC gold right
there!
Gavin:
Speaking of which, what's your take on Gallery Stroll and how its
doing today?
Cein:
It depends. If you frame up Gallery Stroll as social event... It's
great. It's a free night out on the town. If you frame it up as a
cultural event then it's more hit and miss.
Gavin:
And finally, is there anything you'd like to plug or promote?
Cein:
Just my new website, and the Captain Captain blog.